Eva with the Banff New Media Institute’s 3D printer.
It’s a little cheeky for me to title this post “About Eva Schindling“, because there are so many things that I don’t know about her, which makes it difficult for me to even scratch the surface of what she is “about”. I decided to forge ahead with this post when I realised that being intrigued by her was a good enough reason to write something.
Some of Eva’s circuit visualisations.
What I do know about Eva I have picked up by rubbing shoulders over the past month here at the Banff New Media Institute within the Banff Centre for the Arts. I’ve discovered that she analyses, visualises, and builds a wide range of things, often with visually arresting results (examples above). She works with and thinks about patterns, fluid dynamics, 3D printing, circuit design, coding, emergence, and complex systems. Despite her obvious technical virtuosity, she avoids a common trap of those with that high level of technical skill, which is to only engage with the surface of an issue. Instead, her project references show that there are many layers of thinking that go into each of her experiments.
On top of the fact that she’s thinking about the intersections between some interesting and timely areas, she’s also very charming company. I only wish I could stay here in Banff another month so that I could get to know her better!
Today is Ada Lovelace Day, an international day of blogging to draw attention to women excelling in technology. This is my contribution.
Rhizome has just published my report from the most recent Ars Electronica festival, with the theme of “Repair”, in Linz, Austria. There was one point I couldn’t find an elegant way of making in the article itself, but I’ll make it here: the conference programme was quite lacking in diversity, which is difficult to pardon in this day and age (2010, ferchrissake). Anyway, check out the diversity-rant-free piece on Rhizome.
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