Writing/Speaking

Writing:

Occasional informal essays published on Medium.

Ushering in the Era of Beneficial Intelligence, thematic essay for GOGBOT Festival 2016: Post-Singularity.

Wrote a monthly column for over two years on Art + Tech on Canadian art blog Akimbo.

Watching You, Watching Me, for Volume Magazine (issue #35).

Where is the Time? Foundation Izolyatsia/Galleria Continua, for C Magazine (issue #116, Winter 2012).

The Long Shadow of Auschwitz, for Volume Magazine (issue #31).

Buses, Babies, Temporary Tattoos: Social Media and Art Collide, for C Magazine (issue #113, Spring 2012).

Lviv, for Spacing Magazine (issue #23).

Moving the Museum Online, for Rhizome.org.

Ways Out of the Labyrinth: The Work of Jessica Auer in CV Photo Magazine (issue #77).

Other published work has appeared in: Mute Magazine, Spacing Magazine, Broken Pencil Magazine, PUBLIC journal, Domein voor Kunstkritiek, .dpi, Glowlab, Vague Terrain, Centre international d’art contemporain de Montréal (CIAC) e-magazine, Kiss Machine, and many other publications.

Editorial:
Curator and Editor of the Blowup Reader series, which commissioned and re-used existing content to create a series of eBooks examining the themes explored in the Blowup series of events and exhibitions that I curated at V2_ Institute for the Unstable Media in Rotterdam, The Netherlands from 2011-2015.

Founder and Editor-in-Chief of Curating.info, the leading web resource for curators of contemporary art, from 2006-2015.

Recent Lectures:
Ongoing collaboration involving talks, event hosting, and moderation with Amsterdam-based collective FIBER.

“Emerging Post-Digital Methods of Artistic Production”, paper presentation, Artistic Research track at 4S/EASST — Science and Technology by Other Means, Barcelona ES, September 1, 2016.

“What’s in a name?”, talk and panel discussion, “Sailing Under False Colours?”, organized by Medienwerk.nrw at PACT Zollverein, Essen DE, June 28, 2015.

“Innovation in Extreme Scenarios”, lecture, Make:Shift, Crafts Council UK & Makerversity, November 21, 2014.

“The eBook as a Vehicle for Re-dissemination and Creation”, lecture, Off The Press: Electronic Publishing and the Arts, Boijmans Museum, Rotterdam NL, May 22, 2014.

“Life Through The Eyes of Machines”, lecture and panel discussion, Mapping Festival, Geneva CH, May 7, 2013.

“Object-Oriented Ontology and Art”, lecture and panel discussion, Nottingham Contemporary, Nottingham UK, June 19, 2013.

“Uncharted Territories”, lecture, Lighthouse, Brighton UK, April 5, 2012.

“In Transition? The role of the curator and the arts in a digital culture”, lecture, Argos, Brussels BE, February 29, 2012.

Speaking tour of Ukraine: lectures at Palace of Fine Arts (Lviv), Center for Urban History (Lviv), and Center for Contemporary Art (Kyiv), November 2011.

Other presentations hosted by: PICNIC (Amsterdam), Scottish National Gallery of Modern Art (Edinburgh), London School of Economics, Edinburgh College of Art, Newcastle University, PechaKucha (Amsterdam), Playgrounds Festival (Tilburg), Pixel Gallery (Toronto), ISEA (Helsinki), DEAF (Rotterdam), Futuresonic (Manchester), Sonic Arts Research Centre (Belfast), PsyGeoConflux (New York), Upgrade! (Montreal), and higher education institutions across North America and Europe.