Art + Life + Technology
The year of PANTONE 17-1463, Tangerine Tango.
The year of the Water Dragon.
The year of Co-operatives.
The Centenary of the birth of Alan Turing.
The Diamond Jubilee of Queen Elizabeth II.
The European year for Active Ageing and Solidarity between Generations.
The Walloon year of Gastronomy.
The Australian year of the Farmer.
Last year around this time, designer/researcher Michele Perras posted her Top Ten of 2010 to Twitter. I enthusiastically jumped in and posted my top 10 too — it seemed a great way to look back and celebrate the year. The list covered life events, achievements, fabulous trips, et cetera.
Top Ten of Twenty Eleven doesn’t have the same ring Top Ten of Twenty Ten had to it, plus I wanted to do something a little different than last year. It was hard to pare it down, but I thought I would try to keep it to the Top 5 of 2011 and include some photos. Here goes!
1. This year an exhibition entitled Constellations opened at Cornerhouse in Manchester UK, which I co-curated with my friend and collaborator, Karen Gaskill. The show featured works by Kitty Kraus, Katie Paterson, Takahiro Iwasaki, and Felix Gonzalez-Torres, and investigated themes of impermanence and flux. I know I’m biased, but I’m very proud of how beautiful and coherent the show was. Karen and I are already scheming about the next project!
Out of Disorder (hair) by Takahiro Iwasaki. Photo by We Are Tape.
Untitled by Kitty Kraus. Photo by We Are Tape.
2. I started my wonderful job as Curator at V2_ Institute for the Unstable Media in Rotterdam and kicked off Blowup, a brand new event and exhibition series there. Over the year I delivered 5 successful editions of Blowup and the organisation’s first e-Book series (in the form of readers that accompany each Blowup event). More exciting things to come in 2012, including the Dutch Electronic Art Festival!
Blowup: The Era of Objects, with Julian Bleecker, Alexandra Deschamps-Sonsino, Anab Jain. With me doing my best Oprah Winfrey. Photo by Jan Nass.
Doing my best Vanna White. Photo by Jan Nass.
3. Travel highlights: I was an invited guest of BAM in their International Curator’s Programme and had a blast discovering Flanders; gave 4 talks in 7 days on a whirlwind and magical tour through Ukraine; visited the Venice Biennale during opening week; and enjoyed the IKT (international association of curators of contemporary art) Congress in Luxembourg and Metz. I’m really looking forward to more great trips in 2012, including going to places I’ve not yet been, like Tel Aviv.
Karla Black, Scotland + Venice
Nice to see a queue for contemporary art! Pinchuk Art Centre, Kyiv, Ukraine
4. I gave lectures in a number of places scattered around the globe, from Durham, Ontario, Canada to Lviv, Ukraine and many spots in-between (including my first Pecha Kucha here in Amsterdam to a packed house at Trouw), and I also picked up a speaking agent — Tessa Sterkenburg at The Next Speaker. Contact Tessa if you want to book me for 2012.
Dan McGee and I, in Durham, Ontario, at the Common Pulse symposium. Photo by David Jhave Johnston.
Lviv, Ukraine
5. I brought on four fabulous international correspondents to help with Curating.info, commissioned a new logo by designer Rita Godlevskis, and kicked off a huge new project: the Curating.info Fellowship, with CCA Glasgow.
New Curating.info logo by Rita Godlevskis
New site look and feel (ideas and implementation by Mikhel Proulx)
Well, where to start when writing a tribute to this multitalented, brainy, considerate, funny, knows-where-all-the-coolest-stuff-is, amazing and strategic-thinking woman.
Hmm. Guess that list of adjectives was a tip of a tip of the iceberg, but one has to start somewhere.
I first met Alexandra Deschamps-Sonsino in Singapore, at a policy summit on digital technologies and the arts. I was jetlagged like I had never been before and staying awake in the 100% humidity was mostly a feat of will. Then Alex started speaking and I sat straight up, captivated by her presentation on how she founded the design studio Tinker! in London and how she was evangelizing for open hardware all over the world. I have to meet this woman, I thought to myself. Fortunately, I did, and a few years later she’s now a partner at Really Interesting Group, working on high profile stuff for Mozilla, and working on a fascinating project about emotional robots for a major European Union funded research group. I also invited her to share her expertise on the Internet of Things and speculative design at my latest Blowup event at V2_. You can read her text, “Is this thing on? Identity, robots, and spying through everyday objects” in the free, downloadable e-Book that accompanied the event.
So yes, she’s a heavy-hitter and every time you chat with her, you’ll learn something. Chances are you’ll laugh, too. Her dry sense of humour comes out in many of her design projects, including this one, Curious Scarves, a way of advertising your relationship status and which gender you are seeking, because “it’s hard being single in the big city”:
Ada Lovelace Day or not, it’s just high time I wrote a little tribute to Alex, my friend and colleague, who is basically number one on my speed dial** when I want to know what’s what in the worlds of design, internet of things, robots, and future thinking.
Today is Ada Lovelace Day, an international day of blogging to draw attention to women excelling in technology. This is my contribution for 2011.
My previous contributions were:
2010: About Eva Schindling
2009: A little story about Anab Jain
** – OK, she’s not really on my speed dial, because I hate the telephone. (I really hate the phone… don’t call me. Please.) We need some kind of new way of expressing the symbolism of speed dial, but for email and Twitter DMs and whatnot. If you think of/invent/know of a term like this, lemme know.
I have been running Curating.info as a free resource for curators of contemporary art since 2006. It was borne out of a “why not” attitude towards sharing and openness, since I was compiling research on curating anyway. I also thought it would help me make my research more rigorous, as writing on this blog during my Master’s thesis did. A few years later and Curating.info is getting fan mail and picking up a lot of attention. Today I’m able to easily recruit four fantastic interns to share the burden and we have nearly 5000 fans on Facebook. The question was what to do next with this great platform. With thousands of people paying attention, what can you do and what should you do?
I had a vague idea that I’d like to create a Curating.info Scholarship, part funded by donations from the Curating.info community (that I had, thus far, never directly asked for any money) and could think of several good curatorial Master’s programmes that would benefit from a scholarship in place. I went to the IKT Congress in Luxembourg this year, and in the cavernous and highly atmospheric basement of the Casino Luxembourg, ended up chatting with Sally Tallant, Head of Programmes at London’s Serpentine Gallery. Sally, who as it turned out knew and loved the site, listened as I tipsily described the nascent plan for the Curating.info Scholarship. “But why not do even more?” was her response. “Make it an experience in a gallery you love and trust, something where people can get real experience. There are already loads of scholarships out there.” Immediately I saw how right she was, and changed course accordingly. My first thought was to partner with the Centre for Contemporary Arts (CCA) in Glasgow, in part because it’s a great institution and a fellowship would fit with its ethos, and in part because its Director, Francis McKee, is both a visionary and a highly trustworthy person. Francis was onboard, and so it was born: the Curating.info Fellowship in collaboration with the CCA in Glasgow.
The Fellowship is a chance for an individual to conduct curatorial research and produce an exhibition at the CCA. The Fellow will work at the CCA four days per week over the six month fellowship, developing a curatorial project or body of curatorial research. Fellows will be paid a flat fee of £8,000. Ideal candidates for the Fellowship are emerging or mid-career curators who can demonstrate passion and fresh thinking in curating and writing about contemporary art, and who have a vision for what the role of the curator means today.
The deadline for applications is October 21, 2011. Applications will be judged by Francis McKee, Sally Tallant, and myself.
We’re really excited about it. I hope you will spread the word, contribute to the crowdfunding campaign, and apply to be our first Fellow.
Contribute to the crowdfunding campaign here.
Apply for the Fellowship here.
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